Evil Woman Part V
The never-ending saga of my trip to New York City with the middle-aged famous "musician" and his beastly wife twenty years his junior goes on. If you are new to this story, please find the previous installments here, here, here, and again here.
From computer diary entries written in 2009:
-Do not leave the hotel all day because Conor is sick. Just like Lucia’s been sick for days, but unlike Conor, she didn’t get to be sick in a bed. All she got were couch cushions on the floor.
-I mention I like doing laundry and that it is the only chore that gives me a sense of satisfaction. So Beth gives me a shirt to clean. Isn’t that sweet? I wish she’d quit spoiling me!
-Lucia tells me a story in front of Beth and I ask about the story using the word “murder” (it was a story about a murder!) and Beth snaps at me in such a way that I can’t help it—I start tearing up. She says in her serpentine, litigator hiss, “I am really not okay with those words! Don’t ever use those words around them!”
-I try to control myself but the tears start coming, and I have to leave the room. I really don’t want Beth to have my tears. Part of me knows I’m crying because I’m tired and afraid of her and tired of being afraid of her, but I have to cry a little.
-Beth apologizes for snapping at me saying, “You didn’t know. I’ve never told you before that I don’t like those words. “Murder” and “kill” are just not okay with me. Something can “die” but the action of murder just isn’t okay.” It seems like a mostly semantic argument, but I understand the point, I guess. I just didn’t need to be snarled at. And it’s odd to me that treating human beings like garbage in front of your children is acceptable, but using words like “murder” and “death” is verboten.
-We go to the Children’s Museum of Manhattan. Beth asks the driver to stop in front of the Dakota (knowing my obsession with all things John Lennon related) on the way so I can look at it, but I’m too cowed by Beth to bother to get out of the car. I look out the side of the window and thank her for stopping (it’s on the way to the museum). She asks if I’m sure I don’t want to get out of the car, but I don’t want to end up owing her anything, so I stay put.
|The Dakota. John Lennon lived and was killed here.|
-Lucia and I are made to wait in the lobby of the museum with the baby because Beth doesn’t want to pitch an extra $20 so we can look around too. She says it’s because they might make us check the stroller by the door and Sophie’s sleeping. I’m sure that’s it. It’s not that she’s an unbelievable skinflint or anything.
-Sophie’s stale bagel falls on the floor. I pick it up and give it back to her. I feel very evil about that, but I also feel that germs are important. She'll probably be eating gold the rest of her life, so it's good to build up resistance to germs now.
- We eat at Artie's Deli and Conor throws a pickle at my face. He starts laughing maniacally and I can tell that Beth is trying her best not to join him. It would be funny if I didn’t have the feeling I was in an alternate universe and might actually be able to murder a child. (And would the act of murder make Beth as mad as the word does?) I get up and walk Sophie around the restaurant. Lucia eats quickly and comes to replace me, but I tell her to go back and enjoy her meal—neither one of us has had a chance to sit down and eat an entire meal in over a week. And I don’t want to be around Conor. Or Beth.
|Artie's Deli. Where I decided I didn't care anymore.|
-Beth finds us after 10 minutes or so. She apologizes for Conor. Beth is worried now—I can tell. She wasn’t sure how Conor's behavior had affected me. She’s been really nice to me all night. The part I don’t understand is why she didn’t reprimand her child for throwing food at another person—an adult, no less. The other thing I realize is that as long as I can get a flight home, I really don't care what happens to me anymore. I'm feeling more clearheaded than I've felt in years, somehow.
*ELO's Evil Woman.